The irony in that statement is that “real human social skills” require one to be fake, meaning proficient in lying to regurgitate civilized etiquette (mind control) and/or to manipulate for one's own benefit. Those tech bro anti-social skills are what AI trains on. That’s why LLM chatbots lie all the time. Garbage in / out. Fun!
Intel 14th/13th gen, latency/stability issues? forum
www.kvraudio.com/forum/viewtopic.php?t=609495&start=45 ↗phpBB-forum in het Engels. 12 rubrieken gevolgd: ↳ Instruments, Computer Setup and System Configuration, ↳ Mobile Apps and Hardware, The Main Forums, ↳ Soundware, ↳ Guitars, ↳ KVR Studio Manager, ↳ Samplers, Sampling & Sample Libraries, ↳ Effects, ↳ Hosts & Applications (Sequencers, DAWs, Audio Editors, etc.), ↳ Getting Started (AKA What is the best...?) en ↳ KVR Developer Challenge 2026.
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Hi everyone, I’ve just uploaded CLΞAR (Rework) under my TΞCHNET. project. Sharing this one with the old-school electro listeners here. Listen to CLΞAR (Rework) on SoundCloud Streaming link above. Thanks for listening.
Paypal only, Paypal fees included . You can pay in euros (€) or US dollars ($). Regarding iLok transfers , note that a $25 fee per license or bundle (locked group) applies for transferring licenses to another iLok.com account, but each license transfer order has a maximum charge of $50. Any questions, feel free to ask AAS (5€/$ each) - Objeq Delay 1 - Caffeine sound pack for Lounge Lizard EP-5 - Insomnia sound pack for Lounge Lizard EP-5 - Space Walk sound pack for Lounge Lizard EP-5 - Modular City sound pack for Multiphonics CV-3 - Real Illusions sound pack for Multiphonics CV-3 Ableton - Live lite : 5€/$ Air Music (30€/$ each, iLok $25 transfer fee included) - Hybrid 3 - Hybrid 3 + Loom 2 + the Riser (locked group) - Mini Grand + Velvet (locked group) - Vacuum Pro Antelope Audio - MG4+ : 5€/$ Arturia - Analog Lab Intro : 5€/$ - Augmented Mallets Play : 5€/$ - Augmented Strings Intro : 5€/$ Sound packs (2 for 5€/$) : - Amon Tobin Tribute - Cryptic Soundscapes - Pop Transcendence - Vintage Lab AudioThing (5€/$ each) - Things Texture - Things Fold Bitwig - Studio 8-track : 5€/$ Cableguys - TimeShaper 3 : 5€/$ Diginoiz - Distiller : 5€/$ Eventide - CrushStation : 5€/$ GForce - AXXESS : 5€/$ IK Multimedia (5€/$ each) - AmpliTube SVX - Brandenburg Piano - Mixbox SE - Orchestral Percussion - Syntronik Pro-V - Syntronik 2 J-60 - Syntronik 2 Memory-V - T-Racks Dyna-Mu - T-RackS EQP-1A Equalizer - T-RackS Master Match - T-RackS Quad Image - T-RackS Studio Bundle (Space Delay + White
Free multiband bitcrusher(and other plugins) https://riverfluxaudio.gumroad.com/l/BITLAYER
As a total FM Nerd going to agree with the previous poster about the usefulness of using wave tables with FM. However I also think this being 8 operators opens up some options. First in FM each operator is essentially its own independent synth, so each carrier can essentially become just a standard wavetable synth that you can then layer with more traditional FM using the others. I am envisioning for example a Wavetable Operator just playing a wavetable while you have a DX7 style patch using 6 other operators. This to me makes your plugin extremely interesting and makes me want to buy it Might I suggest a few things if you haven't done so already. I admit I haven't explored this more than a few minutes in my browser Also you can embrace the Spectrasonics Omnisphere 3 methodology of a Wavetable also being used as just a depository of single cycle waveforms that are not intended to be swept through. So for example you could have an SY77 "wavetable" but it's used a depository for the basic waveforms used in the SY77 operators. So you would pull the SY77 wavetable up and just select one and use it. This would really open up the FM possibilities with the wavetable engine. I already do this with Phaseplant with not only SY77, but the original PPG Wavetables, Prophet VS waveforms, and some of the JD800/990 waveforms . Your GUI and plugin look ways more fun for this Might I suggest one more idea for either this or a possible future plugin. I call it the John Chowning operator. John a
Hi all, I’ve been using MainStage live for years and always missed one thing: an easy way to trigger MIDI and audio phrases from my keyboard and keep them properly locked to tempo. So I started building something for myself. It got a little out of hand. StagePhrase is now split into two apps: StagePhrase Audio trigger audio phrases, loops and one-shots note or chord triggers quantized starts MIDI Clock / host tempo sync Late Trigger / Offset Start scenes and repeat modes StagePhrase MIDI FX piano roll live recording / overdub quantize and loop recording note + chord triggering Ghost Notes for late starts CC, sustain and pitch bend MIDI stacks and IAC routing One thing I really like is that the MIDI FX can also trigger phrases in StagePhrase Audio, so I can sequence things like guitar/backing parts without needing Ableton for it. I’ve put out a first public beta for macOS and I’m mainly looking for people who actually play live and are willing to test it. I’d love to hear: does the workflow make sense? does it stay tight in your setup? what feels awkward? what would you change? You can grab it here: https://livekeytools.com/products/stagephrase Any feedback is very welcome.
the fading hairline
I'm wondering about euro rack reverbs with Plexiphon out now. I have the 6hp FX AID XL on the way but Plexiphon sounds great here: https://youtu.be/pZX4oaOwAuE?si=SUAZRZuLaiSjuKqL How many effects should you have in a euro rack? What space to people reserve for delay/reverb effects in a small modular system? For me the king of small modular is this guy (and also the reason I'm getting FX AID) - https://www.youtube.com/@TheUnperson
As a total FM Nerd going to agree with the previous poster about the usefulness of using wave tables with FM. However I also think this being 8 operators opens up some options. First in FM each operator is essentially its own independent synth, so each carrier can essentially become just a standard wavetable synth that you can then layer with more traditional FM using the others. I am envisioning for example a Wavetable Operator just playing a wavetable while you have a DX7 style patch using 6 other operators. This to me makes your plugin extremely interesting and makes me want to buy it Might I suggest a few things if you haven't done so already. I admit I haven't explored this more than a few minutes in my browser Also you can embrace the Spectrasonics Omnisphere 3 methodology of a Wavetable also being used as just a depository of single cycle waveforms that are not intended to be swept through. So for example you could have an SY77 "wavetable" but it's used a depository for the basic waveforms used in the SY77 operators. So you would pull the SY77 wavetable up and just select one and use it. This would really open up the FM possibilities with the wavetable engine. I already do this with Phaseplant with not only SY77, but the original PPG Wavetables, Prophet VS waveforms, and some of the JD800/990 waveforms . Your GUI and plugin look ways more fun for this Might I suggest one more idea for either this or a possible future plugin. I call it the John Chowning operator. John a
Hi sensyb! Thank you for your message. I've now updated my website copy to the following which also serves as a message to readers here: A Korg Kronos 3 or Kronos 2 (61, 73, or 88 key). I develop and test on the Kronos 3, and Kronos 2 owners use it too and tell me it works fine. It has not been tested on the original Kronos, so compatibility with that is not claimed or supported. So, until I'm able to purchase a Kronos 2 and Kronos 1, I rely on my epic customers to let me know if the app works on their devices. I have a Kronos 3 so I'm able to test on that. I haven't tested on Golden Gate yet but will update here once I'm sure the editor is working perfectly.
I really enjoy Zebra 3. But the "clinical" comment got me thinking. There's an option in Hive to chose different engines. Like Clean, Neutral, Dirty. How would one emulate the dirty one in Zebra 3? Dirty: Introduces an oversampled self-oscillating Steiner-Parker diode ring filter (similar to the Korg MS-20). It features an evenly spaced oscillator detune, exponential envelopes, and a darker, veiled tone with heavier bass and added distortion across unique filter modes like comb and dissonant Yeah, sometimes bass can get "muddier" in Dirty, and that can also be desirable for very warm analog emulation.
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